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Okta integration supports Custom IdP factor authentication as an integration point. Integration with Akamai EAA IdP requires that both EAA and Akamai MFA are on the same contract.
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IOS 12 and above (iPad, iPhone, iPod Touch)ĪDFS integration supports Microsoft ADFS on Windows Server 2016. The improved Akamai MFA user interface allows you to associate and dissociate policies in bulk to the selected user, group or integration.
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With enhancements available on Users, Groups and Integrations pages, you can conveniently assign and visualize assigned policies. This new feature enables end users to authenticate with a single, highly secure authentication factor, such as biometrics or security key.
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Passwordless authentication is now available for your Okta logins. You can also enable the hardware token as the authentication method. Improved Policies page lets you apply additional conditions that end users’ devices should meet, such as browser and OS versions.
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Additionally, you can download the report in the CSV format for sharing and further investigation. You can generate Authentication Events reports by applying multiple filtering criteria. New reporting features help you troubleshoot more effectively. IOS 13 and above (iPad, iPhone, iPod Touch) The following mobile device OS versions support the installation of the Akamai MFA mobile app The following are the minimum browser versions that support the installation of the Akamai MFA extension The latest enhancements to the Users page let you search and filter more effectively.Īkamai MFA now allows third-party authenticators such as Duo Mobile or Google Authenticator to be enrolled as OTP device allowing users to authenticate with passcodes generated by those authenticators. With the new Help Desk administrative role, you can delegate tasks related to the users’ support such as the generation of bypass codes. You can listen to "Drowning Shadows" in the embed above.Akamai MFA Dashboard provides you with an overview of the key authentication data that supports you in investigating and troubleshooting access issues. There's definitely a sadness to "Drowning Shadows," but Smith has a way a reassuring us we'll get through it. Loneliness and isolation are the center of this track. "Give in to someone or lock down my door? / Or drown all my shadows, drown them like before? / I'm drowning shadows once more." While this song didn't make the original release of In the Lonely Hour, contextually, it fits right in. "Go home to nothing or stay out for more?" he asks. However, it's the chorus where Smith truly hits his stride. He hones in on the feeling of pressure to conform, of acting or feeling a certain way, singing, "Am I wrong to give in to the pressure? / Cause I feel like the city's got the better of me / Oh, this casual love isn't what it seems / And I try to imagine something closer / And somebody who is good for me / I'm so tired of all this searching / Do I, do I, do I, do I." This restlessness is definitely familiar, but Smith's voice adds an extra layer of poignancy. While not everyone will relate to Smith's story specifically, we all face bouts of loneliness and doubt, and that's where this song really resonates with its listeners. In typical Sam Smith style, the lyrics cut close, sparing no emotion as they explore inner struggles. The lyric is, 'Do I go home for nothing or stay out for more?'" I was in such a lonely, sad place when I was writing this album that sometimes, I'd literally have to choose. Smith spoke about the inspiration of the song to Zane Lowe's Beats 1 radio show, explaining (via Rolling Stone), "One road would lead to gay clubs I used to go out to, and the other road would go home. While he's gearing up for a break, we can enjoy "Drowning Shadows" - a new song that appears on the deluxe edition of In the Lonely Hour. The Spectre theme song is great in the context of James Bond - but is also exciting for Smith's fans, who are anxious for any music from the singer. Ever since its glorious debut in September, Sam Smith's "Writing's on the Wall" has been in high rotation for many.